![]() ![]() At 79 minutes at least it doesn’t drag until the final shootout. Most of it is very bad but some parts are fun. The poster art proclaims “She rules a palace of pleasure,” but does she? It also seems to be a comedy or spoof, but the joking of Avalon and Nader feel out of place. There’s some production value, but also more of a porny flavour of exploitation about it. Despite the fact that they actually spent some money on this one (not a lot, but some) I found the results kind of baffling. There’s an interesting weapon called a “cube amortis gun” that turns people into statues. Wilfrid Hyde-White shows up just to move things along. Apparently a role she enjoyed, while admitting these were bad movies. As it is all we get is that robe and, later, a terrific wig. How I would have loved to have heard him play it in his own voice (who knows what sort of accent President Boong would have?), and with some of the gimmicks he’d proposed (including an extra-long tongue). Here he saunters on screen wearing a silk dressing gown and manages to take over the proceedings completely despite some awful voice dubbing. The one guy who can steal every scene he’s in no matter what the role. Things were rolling along rather predictably I thought until you-know-who arrives. ![]() Tommy Carter and Nick West, if you please. Goldfoot’s prospective victims and here Avalon is teamed with fellow agent Nader. But in Bikini Machine Avalon was paired up with one of Dr. Most spies are loners: Bond, Palmer, Flint, et al. Goldfoot and the Bikini Machine is that this is a buddy spy movie. In fact, I’d never heard of Sumuru before seeing this movie, though Shirley Eaton would return to play her again in The Girl from Rio (1969) and there would be another 2003 SF Sumuru film out of Germany. He wrote five Sumuru books but I haven’t read any of them. She was the creation of novelist Sax Rohmer, who wanted to have a female Fu Manchu (his better known franchise villain). The character of Sumuru actually has a history. The midriff-baring uniforms, however, attract attention the gang might not be seeking. And given Sumuru’s plot it at least makes sense that her recruits are all supermodels. Nevertheless, in 1967 it was what they had to work with. As far as gender politics go this is even more regressive than the brainwashed fembots of spy spoofs from Flint to Austin Powers. Sure they may enjoy the thought of running the world, but they’re still women and so feel the need to be dominated. Alas, her plans are undone by the weakness all women (even supervillains like herself) have for men, their near perverse need to be dominated by mojotastic hunks like George Nader. Goldfoot and the Bikini Machine, and I guess it makes as much sense, or perhaps even more, than most of these plans for global domination. She’s going to send her sexy agents out to seduce and marry the world’s wealthiest and most powerful men, making her the power behind their thrones. The arch-villain Sumuru’s plot for global domination is actually quite similar to Dr. It’s 1967 and you’re probably wondering if this might be another Dr. Frankie Avalon in a spy comedy released by American International.
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